Il libro tibetano dei morti (Bardo Tödöl).
Giuseppe Tucci. Milano: Bocca, 1949; reprint, Torino, 1972.

The popularity of Evans-Wentz's edition of the Tibetan Book of the Dead was so tremendous that it went through numerous reprints and was translated from the English version into most major European languages. The text's high level of appeal also inspired several new international translations from the original Tibetan manuscripts. Among these works are included the important translation studies of Giuseppe Tucci (1894-1984) and György Kara. Perhaps as tribute to the pioneering efforts of Evans-Wentz, but certainly in keeping with long established convention, both translations carry the same title as the Evans-Wentz version, in spite of the fact that neither work translates any part of his groundbreaking English edition.

Secret Doctrines of the Tibetan Books of the Dead.
Detlef Ingo Lauf. Germany: Aurum Verlag, 1975; English translation by Graham Parkes. Boston: Shambhala Publications, 1977; reprint, 1989.

In his Secret Doctrines of the Tibetan Books of the Dead, the German Tibetologist and scholar of comparative religion Detlef Lauf helps to clarify many of the symbolic and historical complexities that had continued to elude a great number of commentators on the Tibetan Book of the Dead since the early work of Evans-Wentz. He is also the first western scholar to acknowledge explicitly the literary diversity of this popular text, demonstrating that this so-called 'Tibetan book' is in actuality a rather large collection of books, each with its own separate symbolic content and expressed religious purpose. Moreover, in addition to his insightful contributions to the literary history of the  Tibetan books, Lauf offers an intriguing and thought-provoking comparison with the religious perspectives on death and dying found in other ancient cultures, such as those of Egypt, Persia, Greece, and Rome.

Tibet Bon Religion: A Death Ritual of the Tibetan Bonpos.
Leiden: E.J. Brill, 1985.

Recent developments in Tibetan Bon-po studies have profitted immensely from the pioneering work of Per Kvaerne, Professor of the History of Religions and Tibetology at the University of Oslo. In his Tibet Bon Religion: A Death Ritual of the Tibetan Bonpos, Kvaerne provides a detailed description of a Bon-po death ritual as it was performed in India in 1981, focusing specifically on the structure and purpose of the ritual of the illustration cards or jangbu (see Section 3 above). Kvaerne's analysis of the jangbu ritual, in which a drawing of the deceased is used by the officiating lama to guide him or her toward an auspicious destiny, reveals the close relationship between ancient and modern Tibetan perspectives on death, dying, and the dead. This study also introduces the main features and doctrines of Bon as background to the rituals described and includes numerous illustrations and photographs published here for the first time.

The Tibetan Book of Living and Dying.
Sogyal Rinpoche. San Francisco: Harper Collins, 1992. (On loan from Bryan J. Cuevas)

In this best-selling work, the internationally renowned meditation master Sogyal Rinpoche combines the wisdom of the most revered spiritual traditions of Tibet with the modern insights of medical science regarding death and the nature of consciousness to create an inspiring and practical self-help guide for all who wish to enhance their spiritual growth. In the words of Sogyal Rinpoche himself, The Tibetan Book of Living and Dying was written in the hope that it might "inspire a quiet revolution in the whole way we look at death and care for the dying, and the whole way we look at life and care for the living."  With this compassionate goal in mind, Rinpoche offers his own practical perspectives on such traditional Tibetan religious topics as the workings of karma and rebirth, the practices for dying, and the transitional bardos between lives. In addition, he discusses the universal similarities between near-death experiences, especially those reported by Tibetans, Europeans, and Americans, and gives advice on how to care spiritually for the dying.

The Psychedelic Experience: A Manual Based on the Tibetan Book of the Dead.
Timothy Leary, Ralph Metzner, and Richard Alpert. Secaucus, New Jersey: Citadel Press, 1964; second paperback printing, 1983. (On loan from Bryan J. Cuevas)

Beginning with the private experiments of a small group of intellectuals and spreading quickly to America's disenchanted youth, the 1960's psychedelic revolution unleashed for a brief second in history the flash and fury of the unconscious mind upon a repressed and unsuspecting society. More often than not the dazzling and multi-colored archetypes that sprang forth came in the exotic guise of the gods and demons of India and Tibet. Mystical experience and the spiritual quest became synomous with drug-induced altered states of consciousness and the search for the ultimate 'high.'  The message of the day: "tune in, turn on, drop out."  Following a commonly held belief that many of Asia's revered scriptures could be utilized most effectively in the west by replacing their sacred images with western ones, former Harvard psychology professors Timothy Leary and Richard Alpert (aka Ram Dass), enthusiasts of the new counter-culture, took the Tibetan Book of the Dead and presented it as a guidebook for the LSD experience, complete with descriptions of the psychedelic psychodrama of ego-death, involving a 'trip' through a kaleidoscopic limbo (bardo) and a sobering return (rebirth) to the everyday world. Instructions were laid out to mirror the instructions of the lama, whose job it was to gently guide the deceased through his or her own psychic world--a flash of memories and visionary impressions of a life once lived. The Psychedelic Experience did little to clarify traditional Tibetan interpretations of the Book of the Dead, but did succeed in generating a perennial fascination for this and other related Tibetan texts among the rising generation of young American truth-seekers and future scholars.

The Original American Book of the Dead.
E.J. Gold. Nevada City, California: Gateways/IDHHB Publishers, 1974; Revised edition, 1990. On loan from Gregory A. Hillis.

This volume is another illustration of the hybrid genre of 'Death Manual' inspired by the counter-culture's encounter with Tibetan lamas in Berkeley and environs during the late 1960's and early 1970's. Here we find a light- hearted but ultimately serious guidebook for those who seek to navigate the labyrinth of existence, whether or not, as Gold puts it, they are "attached to a biological machine." The book closely follows the Tibetan model for such manuals, and represents the author's attempt to translate the Tibetan lamas' knowledge of death technologies into an American cultural idiom. This he achieves through employing quotations from Groucho Marx, and distinctly American versions of universal archetypes such as game-show hosts, military drill-instructors, television, funhouses, and strip-poker. In addition, Gold includes order forms for books, tapes, and other curiosities from his "Bardo Shopping Network" mail-order service. Despite its irreverent tone, The American Book of the Dead served as a precursor to the "Post-Death-Experience" (PDE) literature currently popular in New Age bookstores.

Tricycle: The Buddhist Review.
New York: Buddhist Ray, Inc. Vol. VI, number 1, Fall, 1996. On loan from Gregory A. Hillis.

Many of the hippies and spiritual seekers from the 1960s and 1970s whose introduction to Tibetan Buddhism had been connected with drugs and other psychedelic experiences went on to formally convert to the Buddhist religion, sometimes establishing spiritual communities, etc. Initially, the majority of rites and daily practices in such communities were little more than elaborate pantomimes of Tibetan rituals. As time went on, however, many felt an increasing need to translate these practices into a contemporary Western context, as well as develop a forum for discussion of specifically Western responses to classical Buddhist issues. Magazines such as Tricycle and others arose in the 1980s to fill this growing need. This recent issue of Tricycle is devoted to the topic of the relationship of psychedelic drugs to the development of American Buddhism. The cover is a hallucinatory rendering of a traditional Tibetan thangka, depicting the vivid and intense, but paradoxical and sometimes ambiguous nature of an American Buddhist's experience.